Monday, November 30, 2015

Design for Good

Checkpoints for the Elderly - KinCare

Creating a small group of diverse people who are assigned an elderly person so the burden isn’t put only on one person. The group is based on volunteer, each person is involved in the same situation and can help each others dependents. There is a map app involved where you are able to help based on your own personal schedules and location. There is in increasing population of elderly with the aging Baby Boomers and there will be a large demand for care, health care, and emotional wellbeing.

Group chat and app

App with health monitor – person can be aware of elderly person’s vitals

Like an Uber for health

Possible Sponsors:
Elderly Healthcare products:
Firefly Cellphones:
Private Bus or Shuttle Services
Pharmaceutical Companies
Hospitals
Lawyers (Wills Attorneys)








Short Story Illustration, Fannie Castellanos, ART2600,











Addressing an Issue

Topic: Do people really know what they're putting into their bodies when they drink soda? And are they aware of what it does to them?

Example of awareness through posters:

<-(prototype)
*recreating logos using the ingredients listed on said soda's can

What all the ingredients in soda does to people upon consumption:

  • In The First 10 minutes: 10 teaspoons of sugar hit your system. (100 per cent of your recommended daily intake.) You don't immediately vomit from the overwhelming sweetness because phosphoric acid cuts the flavour allowing you to keep it down.
  • 20 minutes: Your blood sugar spikes, causing an insulin burst. Your liver responds to this by turning any sugar it can get its hands on into fat. (There's plenty of that at this particular moment).
  • 40 minutes: Caffeine absorption is complete. Your pupils dilate, your blood pressure rises, as a response your livers dumps more sugar into your bloodstream. The adenosine receptors in your brain are now blocked preventing drowsiness.
  • 45 minutes: Your body ups your dopamine production stimulating the pleasure centers of your brain. This is physically the same way heroin works, by the way.
  • 60 minutes: The phosphoric acid binds calcium, magnesium and zinc in your lower intestine, providing a further boost in metabolism. This is compounded by high doses of sugar and artificial sweeteners also increasing the urinary excretion of calcium.
  • 60 Minutes: The caffeine's diuretic properties come into play. (It makes you have to pee.) It is now assured that you'll evacuate the bonded calcium, magnesium and zinc that was headed to your bones as well as sodium, electrolyte and water.
  • 60 minutes: As the rave inside of you dies down you'll start to have a sugar crash. You may become irritable and/or sluggish. You've also now, literally, urinated the water that was in the soda. But not before infusing it with valuable nutrients your body could have used for things like even having the ability to hydrate your system or build strong bones and teeth. 
Additionally:
  • When the liquid is in the mouth, this can then lead to acid erosion and tooth decay. Fizzy drinks that are darker in colour, increase the likelihood of staining of the teeth as well. 

Monday, November 23, 2015


Art  transformed the lives of people involved  but it depended on the willingness of the people to get involved and open up about their situation. The perspectives of those involved changed by the end of the film, it is seen in the drastic change in how demeaning the people thought working in a landfill was to being proud to show of their piece made of trash to the public after their piece traveled the world. The portrait of Tiao was the most impactful because his life was the most effective by the power that came from the portraits of trash, he was proud of his country and gained the most from the experience. Tiao also continues to push for the poor and unrecognized people of society in Brazil.


Gabriela Jimenez , Alexa Castilllo, Camila Miorelli, Jennifer Suarez

Screening: Waste Land: Art and Transformation Film: Vic Muniz

          Vic Muniz definitely changed the lives of all the people he met from the landfill. The most important part of the entire art work was the fact that the minds of the people that worked in the landfill changed for the better. They realized that while working in the landfill they were satisfied with the life they had.  Once they realized that there is more to them and their ideas outside of the landfill, a whole new world opened up to them. After the landfill closed, the people that helped Muniz found different jobs and were becoming more happy because they were out of their difficult lifestyle. Muniz explained that when someone has nothing they want everything, and when someone has everything they do not want anything. It is incredible that such a small gift to the people in lower middle class neighborhood was so helpful to boost their overall perception of life. The way the people saw art was also changed because they realized that Muniz's project had a deeper meaning just like other artists with different perspectives.

Wednesday, November 18, 2015

Social Change


Cedomir Kostovic

Tolerance toward diversity.

More of his work can be found at: http://www.cedoposter.com/

Tuesday, November 17, 2015

Social Change Poster


This poster was designed by Lex Drewinski, titled Homo Sapiens. The quote that follows this poster is "Evil originates in the head." Which identifies with the image of a snake acting as a human brain.

Barbara Kruger - Design for Social Change


Barbara Kruger

Born January 26, 1945, Barbara Kruger is an American designer/conceptual artist. Most of her work is done in black-and-white photography, often with small hints of color like red. They are overlaid with bold captions that also deliver bold messages. Her work aims to address culture and the way power, sexuality ( mostly female sexuality), and our identities are constructed. They cause us to second guess our own thoughts and take a deeper look into society to possibly set forth and create a change.
Tribute Site: http://www.barbarakruger.com/
"I mean, making art is about objectifying your experience of the world, transforming the flow of moments into something visual, or textual, or musical, whatever. Art creates a kind of commentary." -Barbara Kruger 
                                             




Social Change: Campaign Tackles Sexual Violence on Campus





2014 maybe end up going down in history as the year that sexual violence rose to public awareness prominence in the society. In the Spring of 2015, an interdisciplinary team of students and faculty from Philadelphia University created a Public Awareness Campaign Against Sexual Violence on Campus. Students from graphic design communication and animation participated in the task. These designers wanted to raise awareness about sexual violence on college campuses and to educate students about the issue. The designer students create Brand Identity and Logo, taglines, Posters, Buttons, Stickers, a Mobile Website and Public Service Announcements.

Link: Click Here

Monday, November 16, 2015

"The Fallen" by Andy Moss and Jamie Wardley






"The Fallen" or "The Fallen 9000" is an installation that represents the German forces and Allies lost their lives as part of the invasion of Normandy during World War II. There were about 500 volunteers using using stencils and rakes in the sand on International Peace Day. As the tide came over the beach, it washed away the imprints. The tide represents the thousands of human lives lost during the hours of the tide during the Normandy landings on June 6, 1944. The silhouettes give no representations of any type of nationality, it only represents that human lives are lost.


http://smatterist.com/6223/when-i-realized-what-they-drew-in-the-sand-it-made-me-tremendously-grateful/

https://www.youtube.com/watch?v=_zQD98yiiOs

Design For Good



Client: FDA
Project Title: What’s in your Protein?
Duration: Fall 2016
Team: Florida International University Graphic Design History Group 1 Class:
·       Professor: Silvia Pease
·       Students: Santiago Cevallos, Samantha Gonzalez, Kimberley Espinoza, and Yekaterina Lobuzova

Project Brief
There is an increasing concern of what ingredients and chemicals are put into meats or proteins. There needs to be a labeling system put in place in order to inform consumers on what is in their protein (meat or tofu). The World Health Organization released a report classifying processed meats as level 1 carcinogen and red meat as level 2 carcinogens. 

The group is going to build a system that is similar in appearance to a traffic light that will let you know if the protein products contain 0 chemicals (organic) or contain more than 10 unnatural ingredients. 0 chemicals will be represented with the color green. If the protein has a moderate amount of chemicals, then it will be represented with the color yellow. If the product has more than 10 unnatural ingredients, then it will be classified as red. This will be put on all packaging labels so consumers can quickly see if they want to purchase the product or not.

Budget

The group did not have a budget, but the general idea of the labels are already designed to sell the FDA the project so they can get a taste of the look and feel.

Research

Blippar.com – Augmented Reality advertising and marketing app.
Buycott.com
Chemical Maze

Films
·       Food, Inc.
·       King Corn
·       GMO OMG
·       Seeds of Death : Unveiling the lies of GMO’s

Books

·      Naveen Thayyil: Biotechnology Regulation and GMOs

·      B Nelson : Genetically Modified Organisms in Agriculture

·      BERNHARD A. KOCH : Damage Caused by Genetically Modified Organisms: Comparative Survey of Redress Options for Harm to Persons, Property or the Environment

·      Dayna Scott : Damage Caused by Genetically Modified Organisms: Comparative Survey of Redress Options for Harm to Persons, Property or the Environment


Articles:

Strategy

What’s in Your Protein will be implemented into the printing process of all protein-based products sold at any grocery store. It will be introduced to merchants first. A brief workshop will be held to help them become knowledgeable on the new protein labeling system and be prepared to answer any questions customers have on this new system.

Customers will become aware of the new labeling system on their products through smart advertising throughout the store. The labels will be legible through the use of the same recognizable color system of Red, Yellow and Green. When launching the new labeling system, What’s in Your Protein will have posters throughout the market explaining what each color means and how consuming this product will affect your body to help the customer become accustomed to this new labeling system.

 

Challenges

         The biggest challenge would arise when getting the approval from the Food and Drug Administration to include these symbols on all of the food labels. It would be inherent to provide the right amount of research and data to back up our claim that different kinds of protein needs to be labeled in order to inform the consumer about the chemicals within the product.

            The group needed to create a simple labeling system that would be eye-catching and straight to the point. Several designs had to be proposed before all agreed on the “traffic light” idea. Working as a group had its challenges as well and each member’s strengths needed to be utilized to come up with the concept.

            The label design had its own challenges. The group had to design a shape that would be simple to recognize for the consumer when it was placed on a certain protein product. The group decided that the shape of the label would represent that of a chemical symbol of a protein: the hexagon. Also, the shape needed to have a certain color that would describe the level of critical chemicals located inside the product. A series of three labels would be created with their respective red, yellow, and green colors. With the chosen colors the idea became clear that as a whole the label could be representative of a traffic light. Overall, the system needed to be clear and effective in order for the consumer to understand what type of protein they are purchasing and putting into their bodies.

 

Effectiveness

Though not yet actualized, this project is set to create awareness and work in tandem with many already used and trusted apps to further raise awareness of what people are consuming. Brightly colored labels in the familiar “traffic-light” sequence help create an association with already set in place ideals. For example: Should a consumer see a green hexagon on their chosen product the association process should cause that consumer to think “Green-good-god”. At the least, making their decision process faster, more informed and simpler.

After the labels become well known this system should be implemented by major apps such as Blippar and Buycott. Consumers will then be given the option of scanning these labels to receive details on what exactly is present in their food.

The labels will focus on protein-based foods and the chemicals present within them, hence the basic hexagonal shape (a rough translation of what a protein sequence appears to look like) to distinguish it from other labels and information on packaging. The connection to apps also allows for social media connections to further spread awareness. Students around campus should have no trouble identifying these labels and understanding the simple design formula as it is based off the traffic-light systems.

Those that have seen the virtual prototypes have stated that they would approve of this program to be put into effect across college campuses. This system could promote a healthier lifestyle especially for those that workout frequent on campus gyms and consume meals with high amounts of protein. 






 

 

 

 


MEEK - I WANT CHANGE



MEEK is an Australian street artist who created this stencil graffiti that has a double entendre with a short sentence that says "Keep your coins I want change." Whenever you encounter a homeless person, they usually ask for the opposite. This graffiti makes you think of the issues of this world that are usually ignored, in this case, homelessness. Homelessness increases as foreclosure increases and the number of jobs decrease. 

The image has been reproduced many times for use in anti-homelessness campaigns in Australia, the United States, and the UK. For example, the Human Rights Resource Center in Australia used this image on t-shirts which were part of an initiative to reform government policies regarding the homeless.



http://nga.gov.au/exhibition/SPACEINVADERS/Default.cfm?IRN=162193&BioArtistIRN=33679&MnuID=4&GALID=33679&viewID=3&DTLVIEW=TRUE

Design for Social change



http://www.visualnews.com/2011/03/07/changing-the-world-one-poster-at-a-time/

http://www.jr-art.net/

The artist is called JR.

House Wife to War Machine




The actual image of "Rosie the Riveter" appeared on a Norman Rockwell cover of a 1943 Saturday Evening Post. The "We Can Do It!" image, also featuring a strong working woman, was a poster by J. Howard Miller for Westinghouse.

Iconic figure of the women who worked in defense industries during World War II, was a composite of the experiences of many real women, including Rose Bonavita, Rosalind P. Walter, Geraldine Hoff Doyle, and Rose Will Monroe.

More than six million female workers helped to build planes, bombs, tanks and other weapons that would eventually win WWII.  They stepped up to the plate without hesitation and gave up their domestic jobs to accomplish things that only men had done before them

-Gabbi J

Social change designer


Cedomir Kostovic

"It doesn't matter which color - racism doesn't make any sense." This image visually illustrates the irrationality of racism.

More of his work can be found at: http://www.cedoposter.com/

Guerrilla Girls and Social Change Design



 

Guerrilla Girls are an anonymous group of feminist, female artists devoted to fighting sexism and racism within the art world. The group formed in New York City in 1985 with the mission of bringing gender and racial inequality in the fine arts into focus within the greater community. Members are known for the gorilla masks they wear to remain anonymous. They wanted the focus to be on the issues, not on our personalities or our own work. Also, their identity is hidden to protect themselves from the backlash of prominent individuals within the art community.

One Sunday morning they conducted a count at the MET Museum in New York comparing the number of nude males to nude females in the artworks, and the number of male artists to female artists on display. In 2004, they counted again and only 3% of the artists in the Modern and Contemporary sections were women, and 83% of the nudes were female. 

Website to other work:  http://www.guerrillagirls.com/posters/index.shtml

Design for Social Change

Bill FitzGibbons The artist Bill FitzGibbons has created a light installation in order to revitalize a underutilized city walkway. In Birmingham, Alabama there is an old railway underpass which connects two urban areas together. Unfortunately, it was not being used due to poor light, perceived danger, or unpleasant pedestrian experience. By installing a series of lights under the tunnel, Fitzgibbon has reinvented the space to not only be useful, but an area of attraction. It's this element of art and public service that makes this project so necessary. Design was implemented and therefore transformed a space adding beauty, a sense of security, and a new life.
more information here: http://www.thisiscolossal.com/2013/08/bill-fitzgibbons-lightrails/

Tuesday, November 3, 2015

1. Post modernism in graphic design is used loosely as a term to describe the climate of cultural change. It is difficult to describee because it is a concept that appears in a wide variety in areas of study, including art, architecture, music, film, literature, sociology, communication, fashion, and technology. It is also not clear when post modernism began, making it hard to locate historically,

2. Designers felt the need to reject some or all of International style because post modernists reject the modernist concept of the "master theory", a single concept or style (in this case, International style), that defines a field. Post modernists' stylistic conventions are plural and unstable, which goes against the dogmatic rules of International style.

Sunday, November 1, 2015

Discuss the aesthetics and conceptual connections between post-modern architecture and graphic design?

Discuss the aesthetics and conceptual connections between post-modern architecture and
graphic design?


Post-Modernism reflected a “climate of cultural change.” This meant things were more inclusive and there was a larger demographic and pool from which designers and designs could be taken. Post-modernism saw many new design styles come forth and changed the world in a way that is is still being seen. Architects during this time, post 1960, broke with what was called “The International Style.” The graphic artists of the Post-Modern era, artists like Tibor Kalman, Tadanori Yokoo, and David Carson use methods which embody themes of “pluralism” and expressionistic styles, which move away from the previous modern and international styles. An example of this is architecture is the Pruitt-Igoe Public Housing done by the architect Minoru Yamasaki. He tried to create a modernist utopia to help bring impoverished people into a new setting which would change their lifestyle and establish them in Modernism. After this failed it was also a significant failure for Modernism which brought on the ideas of Post-Modernism as a fix for the problems of Modernism. Post-Modernist architecture hoped to differ from Modernism architecture in growing away from “blandness” and “inhumanity.” Post-Modern architecture hoped to employ many elements of styles, colors, forms and materials available.



An example of Post-Modern architecture is the architect Michael Graves. His Steigenberger Hotel in El Gouna, Egypt is an example of this new style. Which did away with the harsh lines, bland colors, and severity of Modernist Architecture (as seen below in Le Corbusier’s building.)






These methods and styles used in Post-Modern architecture come from the same place that influenced Graphic Designers. They had to reconsider what visual themes they were using to define the world around them, more color, less rigidity, a restructuring of the grid, and implementations of global themes and aesthetics.